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Nicholas Magallanes (Novem– May 2, 1977) was a principal dancer and charter member of the New York City Ballet. Nicholas Magallanes and Francisco Moncion in Balachines’s Orpheus II Please click on the photographs for a larger version of the image. Many thankx to the ONE Archives for allowing me to publish the photographs in the posting. I would have liked to have seen many more! These were the only press images I could get for this exhibition. This was recognised by his contemporaries, such as Goethe. Winckelmann was homosexual, and open homoeroticism formed his writings on aesthetics. Today, Humboldt University of Berlin’s Winckelmann Institute is dedicated to the study of classical archaeology. His subsequent influence on Lessing, Herder, Goethe, Hölderlin, Heine, Nietzsche, George, and Spengler has been provocatively called “the Tyranny of Greece over Germany.” Winckelmann’s History of Ancient Art (1764) was one of the first books written in German to become a classic of European literature. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. His would be the decisive influence on the rise of the Neoclassical movement during the late 18th century. He was one of the first to separate Greek Art into periods, and time classifications. Many consider him the father of the discipline of art history. “The prophet and founding hero of modern archaeology”, Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. He was a pioneering Hellenist who first articulated the difference between Greek, Greco-Roman and Roman art. Johann Joachim Winckelmann (9 December 1717 – 8 June 1768) was a German art historian and archaeologist. The frontispiece to this French translation of the History presents an allegory of his death designed by his friend, the painter Adam Friedrich Oeser (1717-1799) Winckelmann was murdered in Trieste on June 8, 1768. Johann Joachim Winckelmann (German, 1717-1768) Wolter Three Graces, gay art, gay artists, gay history, gender abolitionist, gender identity, gender variant visual artist, George Platt Lynes, George Platt Lynes Nicholas Magallanes and Francisco Moncion, German artist, german photographer, Greco-Roman culture, Histoire de l'art de l'antiquité, homosexuality and photography, Howard Hunter, instability of gender identity, intersex, James Bidgood, James Bidgood Pan, Johann Joachim Winckelmann, Johann Joachim Winckelmann Histoire de l'art de l'antiquité, lesbian masculinity, Lon of New York, Lon of New York Howard Hunter, los angeles, male nude, male nude photography, masculine beauty, masculinity, Nicholas Magallanes, Nicholas Magallanes and Francisco Moncion in Balachines's Orpheus II, Nina Arsenault, nude photography, ONE Archives, ONE National Gay & Lesbian Archives, Orpheus II, performance of gender, performance of masculinity and femininity, queer art, queer artists, queer culture, Queer History, queer iconography, queer photography, same-sex desire, same-sex representation, technologies of gender, The Classical Nude, The Classical Nude and the Making of Queer History, the modern/contemporary period, the nineteenth century, the Renaissance, The Three Graces, The Warren Cup, Tony Sansone, Tripartite Goddess, un uomo di poco conto, USC Libraries, visual iconography of Greco-Roman culture, Wilhelm von Gloeden, Wilhelm Von Gloeden Untitled 1895Įxhibition dates: 29th June – 7th September 2014
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Tags: a man of little account, Alonze James Hanagan, Alonze James Hanagan Howard Hunter, Antiquity, Austin Young, Austin Young Dani Daniels Los Angeles, Bruce LaBruce, Bruce LaBruce Tripartite Goddess, classical iconography and same-sex desire, classical nude, Dani Daniels Los Angeles, Del LaGrace Volcano, Del LaGrace Volcano The Three Graces, Edwin Townsend, Edwin Townsend Tony Sansone, female nude photography, femininity, Francisco Moncion, Friedrich O.
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